continuing their relentless pace, rnt keeps the pressure on the dance floor with a four-tracker of solid heat from seasoned french producer yuksek. whether flipping an underground disco darling in how i love to dance, working a percussive dj tool to perfection with the beat swinging the low-slung funk of think of you or paying homage to an icon of french disco kitsch with dance in disco, this 12 has a little something for every dancer and time of night. allez france!

the debut vinyl only release on the newly established kod (keep on dancing) records embodies the spirit of multiple day long sessions held at the revered can chou chou house in ibiza, where anything goes from disco to techno (in this case the former prevails) so long as its played tastefully and at the right time. no title and no artist name appears on on this single, just the music speaking for itself.

buscrates remix from a good time, that initially came out on super disco edits a lil while a go - backed by the 1984 cut just want to love ya, for the first time on 45!

das album spiegelt die vielseitigkeit im musikalischen universums dirty doerings wieder das nicht nur aus einer gerade 4/4- bassdrum, sondern auch aus gebrochenen beats, hip hop, jazz, weltmusik, gitarren, klavier, klassischen elemente und vielem mehr besteht. es überrascht uns mit sounds, wie zum beispiel die downtempo-stücke timeless, &#769,,,,luisa way und monday only. zusammen mit den clubbigeren tracks wie black forest, &#769,,,,burning ham oder high level road und purple disco entsteht ein spannungsbogen, der einen unwiderstehlich in den bann zieht.

deep, rootical lovers b/w thirteen minutes of blissed-out disco reggae (w/ download code)
deep, rootical lovers, darkly seething with one-step-at-a-time hurt and steely, vengeful self-esteem. hypnotic, stripped and desolate, with implacable drums and bass, dubwise from the start, the production is classic, unmistakable wackies, featuring fabian cooke’s scattered, abrupt organ stabs and minimal guitar-work, ras menelik’s masterful nyabinghi drumming, and harmonic commiseration by sugar minott and the love joys (with a strangled sob at intervals). over six minutes, the extended mix is different to the love power lp, and the additional dub, released here for the first time, is unmissable for its extra rawness and dubbed-out emptiness. plus thirteen minutes of blissed-out disco reggae on the flip: two contrasting dubs of the giorgio moroder/irene cara/flashdance cut from love power, both previously unreleased and a bit sick.

slamming deep house with funky & disco moments
the „will you be there ep” completes the „christophe salin - ep series“. he is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „to love” is what it’s all about, love your next one, love yourself, love what you do, love music and art. needing a bridge at this point nothing would be sweeter than a little excursion to the french touch sound and vibes of the late 90’s and early 2000’s. so, the a-side ends up with a question „shall i give love another try“…flip side „i’ll think of you” keeps this mood until „your soul” takes us slowly over to the final declaration of love „lullaby for daria“.

magic wand is a label you can count on to deliver the disco edits and original productions you never knew you needed, calling on a strong cast of remixers and editors with the knowledge they offer up truly fresh propositions for your party delectation. jc salinas has been previously clocked on is it balearic? and now steps up with a summery slice of island boogie from an undisclosed geographical location. salso picantes gotham- is a motorik beast of a track with plenty of 80s stylings and funk where it counts, while 1-800 coolguy gets into teaser and rewards the faithful listener with a huge sound and splashed with colour and hair spray. the rare cuts edit of think like a lover closes this excellent slab of wax out with a smooth, seductive roller for those more tender moments.

soulful disco classic from 1976 back on wax.

aaro dicosta ep is a debut for both the artist himself and the record label elossa records. elossa records is a record label ran by helsinki based dj marc fred. focusing on music with positive power – feel good dance music without strict genre restrictions. aaro dicosta is a long time producer with deep roots in funk, boogie and disco. aaro dicosta ep contains 4 melodic and powerful tracks for early mornings and late night shifts.

recorded in denmark in 1986 by the then up and coming afro pop singer kojo antwi from ghana, the tunes were issued in limited numbers as he was leaving denmark, sparking his international solo career after he left the classique vibes. though a popular favourite on cassette in ghana his debut album was only released in small numbers in europe and never achieved the same attention. the tracks selected here showcases kojos transition from the highlife sound of the classique vibes to the more drum machine driven highlife disco on ‘hini mi as well as the deep, computerized reggae

italian finest cosmic disco from the genius of no other than dodias, superb drummer, former member of gli idoli the very first band of lucio dalla, and cowriters of few of his early songs. essential!

after a few tracks on soundcloud and the stellar anthem “useful powder” on the first record released on no she doesn’t label nsd001, dj spielberg presents us his debut solo ep, “virtual eden”: over three tracks, we are praised with a lush array of sample-based work that, from disco to jazz, shows the prowess of dj spielberg to convert evocative fragments from the past in true dancefloor gems.
take the laidback vibes of the first track “glam shaming” (a1) and let yourself go through its ecstatic build-up. or follow the classic house chords that sustain an unknown diva vocal on “mad tough” (b1), before getting in the dreamy mood of “dirty delete” (b2) with its aquatic melody involved by latin percussion and a memorable sax.
“virtual eden” is not a place outside reality, it’s right here, built to shelter all those who fall in love with club’s simple pleasures.

second in a series from someone you might know using obscure and sometimes not so obscure elements from days gone by the green girl mix kicks things off with an energetic, peak-time stomper layering those sleazed up, chopped vocals behind swelling pads and crisp percussion. up next the hometown mix struts into disco territory, splicing up the guitar and trumpets to killer effect, teasing snippets of the vocal and filtering in an epic breakdown sure to win over any dancefloor. finally, the straight 8 mix begins on a full-frontal boogie tip before an acid line takes over leading the track into an otherworldly melting pot of disco squelched goodness. dj support from: todd edwards, friend within, hifi sean, horse meat disco, kokiri, anna lunoe, luca guerrieri, sam feldt, michel de hey, joyce muniz, moodymanc, adriana lucia, martin solveig, sleepy tom, jey kurmis, motez, and don diablo.

universal cave unleash the 10th release in their catalogue with the universal cave wizards and dynamic duo superprince sharing the re-edit duties. universal cave provide the goods for the a side firing off a percussion heavy, latin flavoured bomb in lambada - just wait for those epic fills, sure to whip any crowd into raptures. take your time (universal cave s 909 rubdown) then lays up a hip house vocal flavoured, 909 enhanced 80 s bomb. flip it over and superprince take the reigns with your kind of love - funked up disco goodness, reworked with an extra helping of devilshness. the last slice of gold, hang high takes the tempo down to a string swelling, souped up, cosmic swagger. two sides, two artists but four entrancing edits to add to the universal cave repertoire.

australian newcomer a most wanted man joins with the monologues records family with a sumptuous debut ep that shows he s very much one to watch. hep cat is a peppy, soulful slow-burner which gradually reveals a triumphant string sample, voice from above is another buoyant beauty with feel-good strings and vocal cuts, and importance of the hi-hat is a more stripped-back slice of warm deep deep house. fellow fast-rising aussie, jad & the, pursues his passion for tonking breakbeats on his remix of the latter, making for a spooky, mysterious workout. dj support: laurent garnier, black loops, jacques renault, danny tenaglia, jazzanova, auntie flo, peter kruder, aroop roy, horse meat disco, red rack em, joyce muniz, art alfie, dj windows xp, nuno dos santos, eli & fur, jamie trench, lorca, vhyce, yokoo, danvers, justin harris, dom servini

new yorks avision makes his debut on ben sims hardgroove imprint with culture, an ep comprising four memorable and kinetic techno cuts and including an edit from sims himself. having previously cropped up on mark brooms beard man imprint, avision (real name anthony cardinale) has a knack for turning in gritty grooves that draw on earthy, discoid constructs and thats exactly what we have here with culture. from the eponymous opener throughout, staccato stabs characterise and propel the tracks in different ways whether via rolling, almost-there disco loops, gleefully abrasive call and response rhythms or, in the case of sims edit of jux, nifty vocal sample interplay. true to hardgroove form, culture is a release crafted for the dancefloor and delivers with exacting precision.

an evergreen disco-funk-calypso record, bunny mack’s ‘let me love you’ from 1980 was the first commercial hit for the sierra-leone-born composer and is now available alongside remixes by dj gregory and moplen on this unmissable 12” vinyl package. perfectly suited to dj gregory’s world fusion sensibilities, he worked a remix for defected in 2008, laying down additional percussion and emphasizing the electric guitar riffs. italian dj and vinyl junkie moplen introduces organ chords and synths in keeping with bunny mack’s afro roots on his brand-new remix discolypsomix. completed by an accapella version courtesy of bunny mack himself, this is another stellar lightbulb moment of rediscovery from 4 to the floor

classic presents re-interpretations 1, the exquisite remix package of tracks from folamours blissed-out umami album, available on 12inch vinyl. session victim introduce a fiercer beat to their devoted to u remix preserving the delicate strings and its progressive style. next up, fellow classic contributor thatmanmonkz pumps up the tempo and lays down heavy percussion in his 8 minutes of funk remix. afrobeat producer austin ato weaves in his influences on ivoire with soft drumming, slow saxophones and a disco-inflected bassline amid echoes of vocal from nigerian singer kio amachree. alabaman byron the aquarius sprinkles a little of his jazz-house sound on look at me or ill steal your eyes ending a truly mesmeric release.

salsoul records present a crate digging anthology of the more electronic, early 80s leaning side of their catalogue an essential collection of early 80 s post disco electronic grooves from the salsoul vaults. primarily a salsa label on it s inception, salsoul delved into numerous styles throughout its existence but this killer selection focuses on the period of time where music entered the 1980 s and studio technology changed. a plethora of funked out, dubbed out electronic funk across 2 discs is what salsoul boogie offers - choice cuts from the likes of skyy, aurra, leroy burgess, civil attack and many more! featured are the full 12inch dance mixes for unlimited dance-floor pleasure. mixes by larry levan, shep pettibone and francois k feature. one cannot underestimate the importance of these tracks on contemporary dance music, but the funk is the most important thing here, important tracks yes but also amazing records to dance to that capture a time in nyc when clubs were place to be, sanctuaries of escapism, hedonism and expression. essential listening right here boogies gonna get ya! curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

next up on duskys renowned 17 steps label is the return of long term pal kiwi. having supported the lads on 9 of the 17 steps tour dates and having also provided the 15th release in the label catalogue - the fellow londoner now readies his oooh ep which comes backed up with a remix from feel my bicep affiliate hammer. kiwis sound is one defined by positive, kinetic feeling joining the dots between detroit techno, soul and balearic. with previous releases on futureboogie, life and death and moscomans lauded disco halal imprint, hes garnered several accolades including reaching number #85 in mixmag s top 100 tunes of 2017 and sitting at #1 in the genre chart for a total of 9 weeks with his orca ep back in 2016. now continuing on his ascent, kiwi lays out a pair of rapturous, gooey house jams that lands right on time for the festival season. on oooh vocal lines swirl over a largely beatless backing track. a rich, balmy feeling unfolds behind synth chimes and layered delays which work together to form an irresistible summer dj tool. andromeda then follows up and blends 80’s soundtrack-tinged stabs with crispy drums and thick sub bass before being accompanied by a pulsating synth line that carries the track to a delectable crescendo. hammer then closes things up with a somewhat hallucinogenic take on oooh with lfos, analogue sweeps and blobs of acid bleeding together to cap off an altogether warm and woozy trip.

the shapeshifters return to glitterbox with their stunning dancefloor belter try my love (on for size), this time along with an exclusive classic disco remix by dr packer on this 12inch vinyl edition. teni tinks, a session vocalist and arranger who has worked with the likes of rudimental, quincy jones and the jacksons, lays down fresh vocals on the sharon redd anthem from 1980, now laden with fresh horns, strings and arrangement on the club mix. the king of disco re-edits dr packer slows the composition down, highlighting the impressive instrumental with filtered vocals beneath for a more classic sounding version of this wonderfully life-affirming record.

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. midnight drive are extremely proud to present this most beautiful and unique of records - makers don t challenge me - a truly idiosyncratic early 70 s electronic oddity that has long been a coveted and highly prized piece of music by obscure music lovers for many years

harlems legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints land of hits was operated by one peter brown, a truly colossal figure in nycs music scene, its catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. mistafide s colossal old-school rap behemoth equidity funk has long been a record that makes the serious collectors salivate and is now here in full 12inch form repress, too legit to quit. not much is known about the crew behind mistafide , their government names are listed online but this is the only record they put out using this name. suffice to say, this has no impact on the fury and style with which the mc s deliver their raps, backed with the studio nous of impresario peter brown. across 12 minutes equdity funk is a slamming disco-rap monster, interpolating elements of the evergreen b-boy jam theme from swat it sounds like everyone just got into the studio and went for it. in the style of the times this is the real hip-hop flavour, a live band, some mc s and some death defying bars being dropped, proper old school. a truly rare recording, equidity funk has been one of those records fans of the disco-rap era have been fiending for for decades - often commanding prices over the $1000 mark you can now grab this slice of essential nyc street funk.

portuguese multi-instrumentalist sair and american vocalist and boogie producer adam chini are known for their respected releases on the most go-to boogie labels of the moment, like omega supreme, star creature universal and hobo camp. they ve now teamed up to deliver 2 stunning slices of modern synthy soul on boogie café s neon sister label. with adam s dope vocals on the a and the sairs jazzy instrumental on the flip… this is already getting early support from headz worldwide. dj support: liquid pegasus, razor n tape, danny spence / austin boogie crew (abc records), andrew morgan (ppu recordings / ear cave), boogie80, marcia carr (mi-soul radio), dennis probert (ghetto disco/ liverpool disco festival), natasha kitty katt probert (suncenbeat/ghetto disco/ liverpool disco festival), e.live (elivity), pepe hausius (born to shine), paul conroy (soul train radio), mike vitti (mi-soul radio), deli gee (the touch), vex kiddy (royale athlete, germany), yam who (ism/midnight riot), gwizski (omega supreme records), dave jarvis (love vinyl), teddy mike (neon finger), feel the real soundsystem.

das werk, über die vergangenen zwei jahre in chromeos studio in los angeles aufgenommen, ist das bisher gemeinschaftlichste der band. es schlägt brücken zwischen den generationen und sub-genres, wie nur die funklordz sie schlagen konnten, so leihen dem album the-dream, stefflon don, french montana, amber mark und weitere ihre stimme, dazu kommen musikalische beiträge von neo-soul-legende raphael saadiq, 2000er-r&b-mastermind rodney jerkins, d angelos kreativpartner pino palladino, dem new yorker onyx collective, mitgliedern von mtume und toto und niemand geringeren als dram auf dem album opener »must’ve been«.

alright... special, super limited white label featuring remixes of raf rundell lp favourite sweet cheeks first up, we get uk disco royalty ray mang amping up the electronic disco vibe with an energetic romp making full use of the vocal and all manner of discoid devices. on the flip brooks (late 90 s / early 00 s deep house hero) applies some of his sonic magic to two deep, absorbing re-rubs... literally a handful of these - so first come first served.

arthur russells seminal disco cut now available on 7 inch format.

limited hand-stamped, the mystifying oracle blesses us with more supernatural selections ! as the spirits return to the other side, it seems they left us a goodbye gift... by turns a salvia soaked stroll through sweaty disco shamanism, an uptempo synth powered wig-flipper, backed with a disco-soca grail & a persuasively pokey paean to north africa. as usual, no info to be had, other than a cleverly plotted out ouija of the label name, some very fetching old school blue master bag sleeves & four incredible cuts of secret origin via the mystifying oracle that is mutable...

nick the record & dan tyler are back with the long awaited, much anticipated 4th release on their record mission imprint. if you have heard nick the record play out during the past year you ve probably heard work & you ve definitely heard give me more - which has been the tune nick has been asked about the most over the last years busy dj schedule. they had some technical difficulties which led to delays in getting this out... or did they just enjoy the exclusivity over the last year??? you decide! give me more is a squidgy funky disco winner for the discerning dancefloor and already a bit of an anthem. work is a feel good vocal disco tune in celebration of the weekend party time when the week s work is over. play is a high speed space disco meets jazz jam that sounds like there was a collision between harry thumann & jason lindh somewhere in space, or maybe underwater. enjoy! .

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

the 1979 album from michael jackson on double picture vinyl.

triple vinyl with etching on side f plus 2 cds, all housed in a gatefold sleeve with embossed artwork.

vinyl only! international man of mystery todh teri is back on his mission of sneaking in acid tinged bollywood cuts at clubs & festivals globally (by sneaking into the record bags of unsuspecting djs & selectors worldwide). with volume 4 of deep in india, he presents 4 new flavours with which he further cements these intentions. first up, a big slice of caribbean sunshine thats straight out of the silver screen, which guarantees to energise dance floors of all sizes. next up - an updated classic disco anthem, for the spanish hustlin / bell bottom peddlin disco freak inside of you. followed by oodles of dance floor intrigue & mystery, with a rolling acid stomper thats best suited for dark warehouses & basements. and finally, a slow burning slice of acid funk, chugging away on a bed of layered 303 basslines & suspense. with 4 new edits of various contrasts, deep in india volume 4 aims to be ‘that freaky record in your record bag this season.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track do you believe? poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called daytime disco through tracks like their cover of neil youngs harvest moon and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called slow down as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albums release, remixes for artists like matthew dear, little dragon and fools gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

riot records deliver an almighty sermon of four gospel disco edits for the first in their take it to church series. channelling the divine goodness, spiritual choirs and godlike musicality of these choice gospel records, le visiteur, the soup dragons, jack tennis and alan dixon rework and rebeef with their own signature touch, producing four heavenly, dj friendly, dancefloor destroyers. dj support: unabombers - dimitri from paris - danny krivit - craig charles - horse meat disco - hifi sean - melvo baptiste

next up on nang it is time for a slice of spot-on male vocal house and disco. liverpool based thomas lang made some fine albums in the 80s and 90s with john murphy (who went on to carve a highly successful career in movie tracks) and david hughes. somewhere in between that and a string of recent albums (“torch songs” and “the german alphabet”) he also managed to buy one of the finest recording studios in north west england, parr street studios (the “abbey road of the north”). we are pleased here at nang to see a new avenue turned in tom’s life, his first foray into the dance world. “scared” was written with late liverpool songwriter john uriel quite some time ago. it first emerged as a b-side to tom’s comeback single “august day” in 2011. here at nang we always loved the smooth and sophisticated vocal and melody. when tom suggested some remixes we were on board.

lay-far returns to gamm with three slices of jazzy disco numbers that got joyful dancing written all over them. he s carefully selected his fave disco, jazz-funk and fusion tracks from herbie mann (etagui), fsb (morning) and mass production (cosmic lust) that were just asking for that special moscow edit touch. gentle perfection!

love drop drops (!) his first release on gamm and goes all in for a jazz-disco-boogie affair that will be hard to resist. | lesette willson s jazzy boogie classic gets a proper rework with some female spiritual spoken word vocals on top. jupiter beyonds jazz-disco monster gets a heavy club edit and last but not least one of the best jazz-funk tracks of all time by johnny hammond smith gets a vocal treatment that just...works!

superb, heartwarming and spirit lifting gospel disco modern soul 45 first released in 1978 on philadelphia united records. calvin carr & company are enriched with sensitivity and alive with the spirit. the kind of gospel that sweeps all over you and runs through your veins. there is always a sense of inadequacy when attempting to describe just how good something is. words like exciting, inspiring and original come to mind but as always you will have to decide for yourself

the secret gem of space disco vibes, ichisan will be releasing his new ep via kanto records. first track of the ep, megla (the fog) is some sort of an instrument showcase by the slovenian producer, who used his analog synthesizers deftly to accompany the funk-house strumming of his bass and electric guitars, both played by the artist himself. veter (the wind) is a five-minute-long journey into the depths of unique and captivating musical mind of ichisan, daring to be simple yet invoking majestic feelings. third and fourth track of the ep, planica and yassa are more dancefloor oriented tunes that beam with positivity and energy, both have the potential to become anthems of the summer and beyond. arranged, recorder and mixed in ichisans own studio in ljubljana, the ep megla is brimmed with phenomenal beats that would not disappoint even the pickiest ears.

this summer, my favorite robot records release another of their excellent and immersive full lengths, this time from german production outfit, rework. the trio of daniel varga, michael kuebler and sascha hedgehog aka rework, describe their musical aesthetic as cabaret-independent-house and combine icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dance floor melancholy. playhouse, meant and items & things have all released their work, which includes three albums before now. this latest is another musical adventure filled with surprises. this is an effortlessly diverse album that brings a wide range of influences to the table and ties them all together with reworks unique sense of style and cool

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

a love project from the heart and mind of uk broken beat stalwart and iconic keyboard maestro kaidi tatham, alongside an outstanding group of danish musicians led by percussionist peter stenbæk. 12 senses debuts with the movement ep, a record drawing on jazz-funk, broken beat and disco, laced with the distinctive melodic progressions and boogie touches kaidi tatham is known for. recorded over an intensely productive three-day session, which produced 20 plus songs, this ep is a first taste of whats to come from this creative gathering.

the young manchester lad and family member swales returns to the land of honey butter to deliver his debut ep night cuisine. this four tracker is filled with dusty feel good sample flips in a true swales manner, ready to set summer nights in motion. this side is best described as a love story where lushness meets stomp, while that side effortlessly roles the top back down and takes on a more laid back approach to that deep disco sound.

four electrifying edits from london & paris based mytron & ofofo on the unstoppable razor-n-tape. beach buggy goes full throttle from the get go with a conga fuelled, disco jam before the clock strikes twelve and midnight drive offers up a low slung, late-night boogie cruise. on the flip side dreamy chords, soulful sweet nothings and synthesizer swells are the order of the day for elis coming, leaving capricorn to close out the ep with a bass heavy, intergalactic chugger. razor-n-tape can do no wrong, snap up on sight!

for our 8th release in the series, we ve invited another crazy motherfunker from the other side of the ocean. dj gene aka gene g-spot siewing besides being a crazy scratcher on the 1 s & 2 s and a brilliant radio show host for the liquid love show on cashmere radio, he s also a lifelong friend of our very own delfonic and oye records. gene presents a batch of classic disco re-edits, plus a lovely spoken-word introduction by the man himself. feeeeeeeeeeel his pleasure and never forget: if we can dance together, we can live together. and don t let nobody tell you different.

after the succesfull launch of larry de kat his eccentric katnip imprint he has returned to the scene with a fresh new release drenched in house, disco, soul, hiphop and funk. it s with no doubt that this album conveys an undeniable sexy funky vibe. with eight tracks this is a win/win situation for every music lover.

the first release from study records is a disco-infused ep from everyone’s favourite cop polisen. with these four tracks, the gothenburg raised producer, takes you on a trip consisting of fun, chugging sampling-work accompanied with groovy baselines and stabby pianos.